Tami Cowden |
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"This is a book to make any serious writer shout 'Eureka!' The authors have developed a clear and usable system for creating memorable characters, using examples drawn from familiar films, popular fiction, and the classics. I have immediately
put it to use in my own
work." best-selling co-author of DUNE: HOUSE ATREIDES
What
are the Sixteen Master Archetypes?
The word "archetype" was coined by Carl
Jung, who theorized that humans have a collective unconscious, "deposits of the constantly repeated experiences of
humanity.... a kind of readiness to reproduce over and over again the same or
similar mythical ideas...." This shared memory of experiences has resulted
in a resonance of the concepts of hero and heroine that transcends time, place
and culture. Jung called these
recurring personalities archetypes,
from the Greek word archetypos,
meaning “first of its kind.” The observations my coauthors and I made are that
there are recurring character types who have starred in story after story,
entertaining and informing the human experience for millennia. Review of myths, legends, fairy tales, epic poems, novels and
film reveals that the protagonist types who recur in these stories fall
into sixteen distinctive categories, eight each for the heroes and heroines.
These archetypes are not
the inventions of my coauthors and me – they have existed for millennia.
All we did was name and describe them, and then gather examples from an
assortment of cultural media. At
his or her core, every well-defined hero or heroine is one of the respective
archetypes. The archetype tells the
writer about the most basic instincts of the hero: how he thinks, how he feels, what drives him and why he
chooses both his goals and his methods. The
skillful writer, in turn, conveys these instincts to the readers or audience,
who, knowing at a glance the character of this hero, settles down to watch the
tale retold anew.
But
beware when trying to decide what archetypal family to which a character
belongs. AN ARCHETYPE IS NOT DETERMINED BY
THE CHARACTER’S ACTIONS!!!! I am serious – what the character does is not the defining element. The defining element is WHY the character does what he does. “Any
archetype can do anything – the
question will always be why.” Repeat
that a thousand times. Tape it to
your computer screen. If you have
the book, deface the cover by writing those words across it! What that means is that I don’t want you thinking you
have to have four different archetypes because your character does four things
that are what those four archetypes do. Uh-uh.
Not the way it works. WHY,
WHY, WHY – always look for the answer to that question to determine an
archetype. The existence of these archetypes, by the way, does not
mean that in all of literature, there are only eight heroes.
Members of the same archetypal family are not photocopies of each other.
Heroes within a single archetypes share a similar psyche, but they are
not and should not be clones of each other. For example,
Captain Kirk of Star Trek is a CHIEF.
He gives his orders, never doubting his loyal crew will jump to follow
him. His work -- his ship -- is his
mistress, his one and only true love.
He does, indeed, boldly go forth into the universe, and presents the very
picture of a leader. But Henry Higgins, of
My Fair Lady is also a CHIEF. He,
too, blithely announces his will, knowing his commands will be obeyed.
He has no doubt that his opinion is correct, and anything he wishes to be
done, is, in fact, the correct thing to do.
But Star Trek would have been a
very different program had Henry Higgins sat in the Enterprise’s captain’s
chair. Eliza Doolittle would not
have brought Captain Kirk his slippers.
Archetypes are not stereotypes; they are not cookie
cutters. They can be considered a
framework, or even better, a lump of clay of a particular color and consistency.
Use the archetype as raw material to create a full bodied character.
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